Blog · Opinion

Is selling an art?

It's a question with no single right answer, and that's exactly why it's worth asking. People looking at the trade from outside often consider it unreliable, if not deceptive. Those who do it know it's the art of helping someone decide — and that it's harder than it looks.

Published 6 May 2021 · revised 16 August 2026

A factor that gets underrated

The culture of selling

The negative view many people have of selling comes from specific cultural factors. In Europe it's seen as something to keep at arm's length; in the United States it's part of the social fabric, and calling it an unreliable activity would sound off-key.

It's worth noting because it reminds us that judgement isn't a fact: it's an inheritance. And inheritances can be questioned.

The hypocrisy of the judgement

We buy something every day, from a coffee to the house we spent years saving for. In every one of those moments, we place our trust in someone.

Considering that someone unreliable by definition is disrespectful to the thousands of people who do that job professionally — and to ourselves, who trust them every day.

What it actually is

The art of helping

Selling is setting up a conversation so that both the listener and the speaker get the best out of it. It isn't a one-way process: it's a dialogue in which both parties are looking for something.

Without the rhetoric, it means helping people do the right thing for themselves based on their needs. In many cases it means guiding them toward a choice they wouldn't have considered on their own, and sometimes it means telling them your service isn't right for them.

If that's what it is, then yes: it's an art. And like every art, it's refined with practice. Done well, it improves the community it's practised in, instead of taking something from it. The negative judgement comes from those who do it badly, not from what it is.

One word at a time

At the base of the art are relationships. But relationships aren't enough.

The original version of this article ended here, saying to "cultivate a network of contacts in which everyone plays their part." That's right, and incomplete: it's missing who decides what each person's part is.

A network of contacts

It grows on its own, by accumulation, and no one governs it. It produces opportunities when they happen to come along: that's what we call word-of-mouth, and its flaw isn't the quantity — it's that you don't control it.

A designed network

It has someone who decides who to introduce to whom and keeps track of what comes out of it. Inside a company that figure is called the Referral Director: in-house, trained, with an explicit mandate. They're not one more salesperson — they don't sell, they make a system of references work.

And the act it rests on, the reference, works because whoever makes it risks something: their own reputation (Sixth Law). That's what makes it different from a name passed along out of courtesy.

Selling well is an art. Getting introduced is an engineering.

The first step

Where your company stands, as a number

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